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Dance Luminary Matthew Ball on Grueling Parts and Online Attention: 'I'm Not Precious About My Body'

Within the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's carriage is effortlessly straight-backed, his arms muscular beneath a simple white T-shirt. On stage, ballet dancers can seem as powerful deities, yet often in person they are small. This is not true for Ball, whose tall stature is part of his popularity for princely roles and partnering. Possessing delicate features and intense eyes, there's a hint of Robert Pattinson about him.

An Apparent Rise to the Top

At 31, Ball is enjoying the peak of a career that has advanced smoothly. Growing up in Liverpool, he encountered little ridicule for his childhood passion in ballet. Joining the esteemed training institution at 11, he graduated directly into the troupe and was promoted each year, reaching the top rank of lead dancer in 2018. He has relished taking on meaty characters, particularly the emotional angst found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

Ball's next featured role is as himself, in an "In Conversation" event aiming to offer behind-the-scenes insights into a dancer's art. He will guide the audience through a role, showing his cognitive process during performance. Yet in lighter works, the test is significant. "A classic ballet is one of the most demanding technically," he notes.

The Mental Struggle and After the Show Feelings

What about following a performance, when he has succeeded? "It's pretty good," he says. "But because I'm trying to squeeze all the emotion out of it, and get immersed in the character, quite often I do feel self-conscious afterwards. After Mayerling I'm always like: God, what must people think?"

Offstage, Ball is reflective, mild-mannered, and prone to laugh at himself. Yet a dance maker previously remarked on a "kind of suffering in him." Does this exist? "I am very energetic usually, but I do have a dark side," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."

Formative Drivers and Creative Influences

His tenacity originated in early experiences. Not excelling in competitions at school made him "vengeful!" This became fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

An upcoming endeavor is making his own dance works. In his view, "organic movement has value." "Breaking the rules is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from books, compositions, and art.

Close-Up Dance and Private Partnership

He additionally favors presenting dance in smaller venues. "It was just really exciting," he says of a previous experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has created duets with his partner, fellow principal Mayara Magri. The degree of faith between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They are not usually paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Physical Image

On social media, fans can see clips from his dance films and photos that showcase a athletic physique. Does he care that the response can be somewhat objectifying? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he explains. He relates it to viewing Michelangelo’s David—something that can be seen on multiple levels.

Ball describes his early self as "eager for success." Did it lived up to his expectations? "I feel very aware of how life is a different thing to the dreams you made as a young person," he reflects. He likely has about ten years of dancing left. "I suppose in the time to come, I want to be a bit more gentle with myself."

Written by

Taylor Mcmahon

Elena is a seasoned casino analyst with over a decade of experience in online gaming.

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